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He described working with Mr Bolland as "delightful".
(He described working at the company as akin to riding "a lit rocket with your head out of the window").
In "The Passionate Collector: Eighty Years in the World of Art," co-written with Alfred and Roma Connable and published by John Wiley & Sons in 2002, he described working on Wall Street to finance his collecting bug as an art-smitten young man freshly home from five formative years in Paris.
After hearing about the culture and work ethic at Nest, his attitude simply reminded me of how he described working a holiday a few years previously.
He described working with UK officers as, "very collaborative, and it was very useful for both [Britain and America] to sit and help triangulate what we were hearing from our different sources".
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He describes working alongside such academics as "a breath of fresh air, genuinely building capacity in intellectual life over shared intellectual aspirations".
He describes working on some of the production lines in the factory: "I worked in a fridge, I had to take boxes from the conveyer... It's impossible to keep up because there are around 80 different types of boxes.
He describes working in the West Wing "like being in a turbocharged think tank that was also the ultimate political clubhouse that was also the office of the assignment editor for the nation's press".
In contrast to Burbidge, he describes working in telesales as "soul-destroying" — we're presuming he wouldn't describe being a VC like that these days.
He describes working closely with author Suzanne Collins and said the filmmakers were "very faithful not only to the narrative but also to the feeling of the book".
He describes working with their production team and how co-producer and drummer Zach Hill had called him a genius, which obviously meant a lot for a guy who specialises in weird music played on broken glass.
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Justyna Jupowicz-Kozak
CEO of Professional Science Editing for Scientists @ prosciediting.com