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It was the way he depicted women.
He depicted his critics as head-in-the-sand isolationists.
Passing from master to master, he depicted life from underneath.
He depicted her as generally friendly but not overly sociable.
He depicted them accurately, as past masters had done.
He depicted "romantic" landscapes and an abundance of castles.
"He depicted what an officer faces on a daily basis".
He depicted himself beheaded, dissected, nailed to the cross.
He depicted the United States as facing mainly bad choices in the future.
And so he depicted Agamemnon without depicting him: turned away, with a veil over his head.
He depicted the 1917 Bolshevik revolution as completing Russia's long-standing desire to modernise.
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Justyna Jupowicz-Kozak
CEO of Professional Science Editing for Scientists @ prosciediting.com