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Having been received into the Blaue Reiter group, he contributed works to a graphics exhibition they staged early in 1912.
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He contributed work to many exhibitions and projects at Tate St Ives, and showed regularly at his beloved Newlyn art gallery.
He also contributed work to Sooz, an online exhibition, where he explored stimulation overload and the collective unconscious by using text a first for the artist.
He's contributed work to bristling collectives like Body Sculptures, Contour, Olymphia, and a host of others.
Artists' estates contributed works as well.
Other composers, including Dukas and Ravel, also contributed works.
Other Sidley offices around the world contributed works from their walls, and photographers are reprinting pictures from old negatives.
Tahir and Cordeiro (2016) provided a comprehensive list of contributed works on transmuted distributions.
In all, 31 artists contributed works.
In the 1960s he started contributing works - often on political and erotic themes - to Hara-Kiri and other publications.
He contributed major works in the fields of aesthetic theory in music, and compositional analysis and was one of the first to explore the relationship between Game Theory and musical composition.
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