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Afterward my client told me he about died laughing but managed to reply, "Uh–I can't, either".
He went on to ask me about the other content acquisitions I had made like Barney Miller, Charlie's Angels etc. and he about died when I told him that these deals were just "blind and stupid luck".
I told him the truth, which was that I liked it a lot but, "Who knows in the content business what will succeed?" He asked why they paid me all that money if I didn't "know what will work" and he about died when I told him that I didn't know, and I went on to tell him that the movie people did not know either what would attract a paying audience.
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When I asked him how he felt about dying, he said – after a pause – "calm".
Mr. Greco said he supported the last deal because he worried about dying before he received compensation, which would put financial pressure on his wife and children.
What culture a writer carries matters also, in a sense, when he describes how he goes about dying.
"Now he talks about dying before he's 20," Pinon said.
I don't know if he thought about dying, whether he was expecting it or afraid of it.
But without saying so, he makes it clear that no cheerful assurances can erase what he knows about dying.
He spoke about dying.
Does he think about dying ?
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Since I tried Ludwig back in 2017, I have been constantly using it in both editing and translation. Ever since, I suggest it to my translators at ProSciEditing.

Justyna Jupowicz-Kozak
CEO of Professional Science Editing for Scientists @ prosciediting.com