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Sunlight meekly penetrates the sky's hazy veil, capturing a horizon reminiscent of a nocturnal J.M.W. Turner oil painting.
Number Nine Dream explored the first movement of Mahler's Ninth Symphony through the hazy veil of the contemporary electro-acoustic sound-world, making for an absorbing aural experience.
As Pavord writes, Gilpin waxed enthusiastically about the coil of smoke spreading a hazy veil over a scene but was unconcerned with the life of the poor charcoal burner labouring behind it.
In this exhibition, Markus continues to paint images on unprimed canvas that appear as if they are viewed through the hazy veil of memory, as she harkens back to her days of being a teenager in Buffalo, N.Y. and the heavy metal pop culture of that era in America.
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The inventive colors and timbres in his music are often veiled through hazy textures.
In The Home of the Heron, painted in 1893, Inness used subtle tonal variety to suggest a hazy atmosphere; the overlapping veils of colour unite earth and sky and underscore the harmony of the universe a tenet central to Swedenborgianism, the belief system to which he adhered.
These colors were most striking in the quietest passages, as in the Berceuse, in which Mr. Pletnev played chords veiled in hazy pastels, or the Écho Rustique, in which one melody up high sounded amazingly delicate and distinct, like a music box.
A hazy opacity, similar to a veil, is projected over the left hemithorax (a) and confirmed to represent atelectasis due to an endobronchial lesion (arrow) at the origin of the left upper lobe bronchus on CT (b).
In this performance, rather than striving to capture the exotic qualities of the music or summoning veiled sounds and hazy textures, Mr. Temirkanov and his players told stories in music.
In Leonardo's landscape segment in the same picture, he also found a new expression for what he called "nature experienced": he reproduced the background forms in a hazy fashion as if through a veil of mist.
From the first outfits, in which a back-and-front panel of organza veiled what was underneath, the message was as clear as the fabric was hazy.
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Since I tried Ludwig back in 2017, I have been constantly using it in both editing and translation. Ever since, I suggest it to my translators at ProSciEditing.

Justyna Jupowicz-Kozak
CEO of Professional Science Editing for Scientists @ prosciediting.com