Sentence examples for have evolved away from inspiring English sources

Stars more massive than about 1.3 solar masses have evolved away from the main sequence at a point just above the position occupied by the Sun.

In a young cluster the main sequence will be well-populated, but in an old cluster the heavier stars will have evolved away from the main sequence.

Diets have evolved away from milk and vegetables in favor of soft drinks and snack foods, leading experts to predict a sharp increase in osteoporosis if trends continue.

Over the years, the conventions have evolved away from events where the political parties came to debate and pick their presidential nominee.

Calculations of stellar evolution indicate that in an additional 109 or 1010 years all of these stars will have evolved away and disappeared from the bright end of the luminosity function.

The views on scientific explanation have evolved away from the formal and cognitive accounts of the epistemic categories.

But in 2002 the court reversed itself, concluding that national standards of decency had evolved away from permitting the execution of the mentally retarded.

But for many Norwegians it is also an indelible mark of a country that has evolved away from the monoethnic, egalitarian culture that knew tragedy as a setback in Nordic competition.

Throw in the more transient nature of American life, the general trend away from formality and the proliferation of celebrity memorial services (Christopher Reeve's was Friday), and it is clear how the eulogy has evolved away from sermons and toward something more intimate, vernacular, even irreverent.

Italian politics has evolved away from the old set-up, with lots of parties feuding among themselves before forming a kaleidoscope of differing coalitions, towards a new bipolar system with two broad coalitions of parties on the centre-right and centre-left.All the evidence is that voters welcomed this change, as it gave them a clearer choice at elections.

Their experimental, vernacular early works reinforced the impression Iain and I assimilated from school and university in the early 70s: that poetry had evolved away from contrived artificialities of rhythm and diction to free verse, and that the high points were TS Eliot's The Waste Land and the rugged, ragged lines of Hugh MacDiarmid.