Sentence examples for haunting projections from inspiring English sources

Exact(1)

The convergence of dance and technology has spawned all kinds of multimedia experiments, which range from the sublime (see: Merce Cunningham's haunting projections of motion-captured dancers) to the creepily profane (see: Stelarc's six-legged dancing spider machines). .

Similar(59)

For the recent Art & About festival, Australian artist Craig Walsh created a series of haunting 3D projections to illuminate the trees of Sydney's Hyde Park South.

Paul Chan's haunting silhouette projections subtly convey the tragedy of death and destruction, a sentiment worth reinforcing at the highest seat of power.

Propelled by Eastern-sounding percussion, Jack McNamara's powerful multi-media production complements the often haunting text with projections and film-footage of the ecological disasters it surveys and with images that focus the irreplaceable beauty and quiddity of the threatened species it mentions.

His haunting, interactive video projection installation Blend memorializes a miniature holographic 1950s housewife, imprisoned inside a household blender the very domestic object that is supposed to make her life easier.

Pratyusha Kalluri was awarded First Prize for "Projection," a haunting futuristic story that raises questions about conformity, freedom, and surveillance — all keenly relevant today.

Almost all of the possibilities seem to be covered, from full-on paintings like Benjamin Degen's "Yellow Room" to austere film projections like Amy Granat's haunting "Spraypaint Film".

Willis H. O'Brien's stop-motion special effects, which he combined with other effects like matte paintings, miniatures, and rear projection, gave the movie its haunting and uncanny aesthetic.

The surrounding skyscape offers scope for Jon Driscoll's video projections of crucial motifs, such as the haunting eyes of the dead child.

At crucial moments, slide projections (designed by Jan Hartley), including some haunting scenes of New York City in the 1940's and 50's, turned the stage into a wraparound urban environment.

Apparitions cannot be mere symbols, metaphors or projections: the characters, however warped, must experience them as hauntings, the reader on side.

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