"harmonious shapes" is a correct phrase and can be used in written English.
It can be used to describe shapes that are aesthetically pleasing and well-proportioned, creating a sense of balance and harmony. Example: The artist's painting was a beautiful display of harmonious shapes, with each element complementing the others perfectly.
It is mind-tickling: Ms. Cornejo's designs evoke that nicely off-balance feeling of squaring-the-circle mathematic impossibility; the result of these harmonious shapes-within-shapes is an inspiring and almost metaphysical kind of yantra.
Despite the disadvantages, the greater degree of augmentation, ease of prefabrication, and long-term maintenance of harmonious shape and consistency lead surgeons to use silicone implants.
The story has all the elements of a great Calder sculpture: curving lines, strong colors, organic shapes, harmonious balance, suspension in space.
And Alberti, along with Luciano Laurana, Piero della Francesca and Francesco di Giorgio Martini, at various stages contributed to the palace's harmonious design and shape.
With experience derived from the richly floral cottage gardens of Surrey, she developed the idea of supporting plants with an architectural base and allowing them to grow in a free form, encouraging natural shape and creating harmonious relationships of colour.
And the dances should form harmonious combinations.
Throughout the 1800s, the mournful harmonious sounds of a capella shape-note singing reverberated in churches throughout the South.
It's harmonious – a broad harmony – fifths and fourths".
"They represent a new and dynamic generation of Muslim leadership in Australia who are shaping a more prosperous and harmonious future for all Australians," he said.
In the late 1960s Stella expanded his use of colour in the Protractor series, an influential group of paintings marked by intersecting geometric and curvilinear shapes and plays of vivid and harmonious colours, some of which were fluorescent.
Choosing to work freely, without the constraints of a loom or a fixed grid, Oezdogan approaches the works from all sides, creating the room to "visualize depth, flatness, tension, and structure- combining them into an arrangement of shapes and compositions that feel complete and harmonious".
