Sentence examples for harmonic proportions from inspiring English sources

How much more beautiful would the shell be, how much easier to see its harmonic proportions, without all that glitz?

From the Italian Renaissance onward, some "Pythagorean" ideas, such as the tetrad, the golden section, and harmonic proportions, became applied to aesthetics.

The MMC technology was firstly introduced in 2001 [13] and its advantageous over the traditional VSC technology [11, 12], such as low switching losses and small harmonic proportions, have been widely recognized.

The harmonic proportions H i) are derived according to EN61000-4-7 [24] from a discrete Fourier transform (DFT) with a window length of 1,024 values, which were time scale interpolated from the evaluation interval, e.g., from approximately 2,560 samples of 10 periods when using the 12.8-kHz sampling rate.

The harmonic based algorithms and the above algorithms often have poor performance in wind farms because the harmonic proportion of fault current is relatively lower.

However, for the two stimulus sets in which the harmonic part is most prevalent, that is, sets A1 and B, the perception of brightness seems to depend on the harmonic proportion.

Large-scale wind generators connecting to grid has great impact on harmonic based algorithms: under the influence of convertors, the 3rd harmonic proportion in wind farms can be relatively lower and thus the performance of harmonic based HIF detection algorithms is poor.

Together, they achieve a harmonic balance.

To exclude the possibility that seasonal effects of influenza were caused by the inadequate adjustment for co-circulation of RSV, we performed the third sensitivity analysis with additional variables for interaction between two pairs of harmonic terms and proportions of RSV positive isolates.

The portions (1 - 2 - 4 - 8 - 3 - 9 - 27) of the mixture, with further subdivisions according to the arithmetical, geometrical and harmonic means, are the proportions that demarcate the intervals in theoretical harmonics (1 : 2 is the ratio underlying the octave, 3 : 2 the fifth, 4 : 3 the fourth, 9 : 8 the major second, etc).

It causes a high harmonic SAR because the proportion of artifacts is too small compared to the proportion of the target (harmonic) and the interference (percussive) sounds.