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Hard for the reader, as well.
It makes her hard for the reader to care about.
This is hard for the reader to accept.
It's hard for the reader to tell how trustworthy a narrator Nora is, and things get considerably messier after she meets the Shahid family.
But while she clearly rather likes her characters, it's often hard for the reader to share that affection, and she indulges them in ways that others might not.
Perhaps the joke lies in the paucity of astounding revelation, but it is hard for the reader to share the fascination with March family history.
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Mr. Schuman makes it hard for the readers not to root for most of these remarkable individuals.
But the third side of the triangle, Sarah, is a repressed emotional cipher, harder for the reader to understand.
It would be harder for the reader to accept his conclusions if he had included details about the men, women and children who were rounded up, and the economic, physical and emotional toll imposed on them.
Though these scenes also have comic moments, it's harder for the reader to gauge Zeidner's intentions as she canvasses the sexist behavior of many of the town's policemen and presents a complicated portrait of female (and male) stalkers.
That makes it harder for the reader to relate to them, along with making your story less believable and harder to engage the reader in.
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Since I tried Ludwig back in 2017, I have been constantly using it in both editing and translation. Ever since, I suggest it to my translators at ProSciEditing.

Justyna Jupowicz-Kozak
CEO of Professional Science Editing for Scientists @ prosciediting.com