Sentence examples for grotesque design from inspiring English sources

Exact(2)

At the same time, the character size in the square grotesque design is slightly wider (see Figure 5) and has rather square proportions, while the humanist has upright, rectangular proportions.

As illustrated in Figure 1, grotesque and square grotesque typefaces are considered less legible due to the following: nearly closed letterforms (long terminal features) blur their form; Figure 1 The top-line characters are a square grotesque design (Eurostile) and the bottom line a humanist design (Frutiger), highlighting various characteristics thought to improve legibility.

Similar(56)

It's easy — as with New York City Ballet's hideous "Swan Lake" and its grotesque designs by Per Kirkeby — to attack the awful sets by Tony Walton and costumes by Willa Kim.

Others, like the Egg Master and my hog-shaped jelly mould, are delightful grotesques designed to be gleefully revered and never, ever sullied by actual use.

In an interview with The New York Times, he called professional football "a grotesque business" designed to "mold you into someone easy to manipulate".

Although the goblins are first introduced as wholesome young thespians (Benjamin E. Oyzon, Jodi Renee Redmond and Marta Reiman), this doesn't diminish their fearsome potential once they don grotesque masks designed by Chris Mahle.

And I miss Anton Furst's urban-grotesque production design from the first movie — the curious, malign details pulled out of the night.

He also criticised Deloitte for courting publicity in respect of the claim, which he described as "a cynical and grotesque operation" designed to put pressure on the Bank to capitulate.

In 1999, the old-guard designer Paco Rabanne called her designs "grotesque and pitiful".

This is a man who was collaborating with Max Ernst in 1926, designing for Diaghilev's Ballet Russes, and in 1978 designing grotesque puppets for a collaboration with the experimental theatre company La Claca called Death to the Bogeyman (a reference to Franco).

Miriam Buether's design looks grotesque but jaunty.

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