Sentence examples for grief movement from inspiring English sources

Exact(1)

Elisabeth Kübler-Ross, founder of the modern grief movement (she gave us the "Five Stages of Grief" theory), insisted that "Telling your story often and in detail is primal to the grieving process.

Similar(59)

After all, to move on from grief implies, well, movement.

Good grief, a trend?

Living in New York with a suddenly larger family — she has three stepchildren — she worked as a journalist writing about design and death including grief therapy, the hospice movement, suicide and identifying military remains.

It's necessary to build and sustain a national movement around grief support for children.

Lott is excellent on the movements of grief, and evokes with subtlety the depths of emotion underlying the banal, as when a letter, awkward as a child's, arrives from Ray.

The photographs, ranging from the mid-19th century through Afghanistan and the Arab Spring, are grouped by themes reflecting the flow of war itself, starting with the saber-rattling and moving through recruitment, training, daily routines, patrols and troop movement, fighting, death, grief, burials, homecoming and remembrance.

MANY in Oklahoma City reacted strongly against being turned into patients, and practiced active forms of grieving: speaking out publicly for or against the death penalty, becoming active in the victims' rights movement, engaging their grief through the arts, and working on the memorial.

Amid signs that "the outpouring of grief was turning into mass movement for change", Mr Blair recounts how he telephoned the Prince of Wales to say the tide of public opinion could not be "turned back, resisted or ignored".

Moreover, I started to realize the contemporary significance of literary research, for my own helped me better understand the various forms of public grief – the Black Lives Matter movement, police brutality, and even the recent removal of Confederate statues – we're experiencing in the U.S. today.

The critic John Warrack wrote, "There are no sadder pages in symphonic literature than the close of the First Symphony's Adagio, as horn and trombones twice softly intone a phrase of utter grief", whereas to Michael Kennedy, the movement is notable for its lack of anguished yearning and angst and is marked instead by a "benevolent tranquillity".

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