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Mr. Ofili's "Triple Couple 2001-2002," a 6-foot-by-4-foot red, black and green portrait of a bearded man with a bird growing out of his head and a pendant of elephant dung around his neck sold for $105,000 at a silent auction held by Victoria Miro, the artist's London dealer, while exhibiting in New York this weekend at the Armory Show 2002.
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The only art I ever noticed in the deserted corridors that lead to his office was a giant, scrolled lime-green portrait of the thirteenth-century warlord.
Occasional episodes of color come from Jonah Freeman's irrationally Piranesian views of corporate architecture at night and Andy Warhol's 1972 "Vote McGovern" poster, a bilious mint-green portrait of Nixon.
Her set, which involves a floor painted with a giant enlargement of the architectural blueprints for the Whitney building and a big green neon portrait of herself, is one of the Biennial's most wonderful moments, albeit only until March 11.
While elsewhere walls are painted various shades of green, the portraits are set off by a rich, red background.
The exhibition's highlights include the two versions of Van Gogh's famed yellow "Sunflowers," hung on either side of a green-dominated portrait he painted known as "La Berceuse".
Green's portraits of Gordon, of Gladstone and his Irish troubles, of Sir Garnet Wolseley, of Muhammad Ahmad the Mahdi and of Kitchener are as good as his battle pieces, from the butchery of Hicks's column to the industrial slaughter of Omdurman.
The Mona Lisa wears green in her portrait, as does the bride in the Arnolfini portrait by Jan van Eyck.
Or it might be the will of Ms. Michelson herself, who does not perform but appears to be rendered in Charlotte Cullinan's large green neon line portrait at the back.
The green birdcage of "Portrait of an Artist in Crisis" holds a shattered face and a pair of spidery hands wielding a paint brush to apply color to a small pile of excrement.
TALLAHASSEE, Fla .— The college and high school students arranged themselves in the colonial-style chairs and on the green carpet, a portrait of the state's Old Capitol building above them, as they exchanged stories about their lives and the travails of the "black and brown youth" in Florida.
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Since I tried Ludwig back in 2017, I have been constantly using it in both editing and translation. Ever since, I suggest it to my translators at ProSciEditing.

Justyna Jupowicz-Kozak
CEO of Professional Science Editing for Scientists @ prosciediting.com