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In the second half, "012-RAG," Mr. Matsumoto's amplified guitar emits waves of sound as Mr. Tanno, in a tattered burlap outfit, hair gray, looking increasingly spent, staggers through a desert of desolation, on a diagonal.
At 1 46 p.m., the surveillance showed "a lone suspect" with short, dark hair, wearing a dark tank top and gray looking shorts, walk up to the front door and steal the packages.
Gray, looking every inch the man he always looks like, is already striding around the room in a tight suit gesturing in the style of someone who appears to believe he is manipulating a giant swooshing video screen.
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Probably he has shown pantsuits before, but two in putty gray looked just right.
One, in dank shades of bluish gray, looks like the head of a corpse.
"In Your Face, Italy" (2000), in dark shades of gray, looks tightly wound despite its hang-loose title.
Her short hair, which was prematurely gray, "looked like it had been cut by a Cuisinart," Low recalls.
The gray looked nice, but a blue blazer is part of the uniform for your typical Sumac (short for Superannuated Male Columnist, though Sullen Manic Codger also works).
A row of subtle drop-waist dresses in chalk, pink and gray looked wearable, as did a cotton dress with elaborate wooden beading.
Mr. Cliburn, 73, as trim, bright-eyed and effusive as ever, his bushy hair still thick though gray, looked overcome with emotion.
Mr. Gray looked as if he would rather have been anywhere else than at the screening, at the TriBeCa Grand Hotel, at 2 Avenue of the Americas.
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Justyna Jupowicz-Kozak
CEO of Professional Science Editing for Scientists @ prosciediting.com