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This is the dilemma of personality posed by the musical "Wicked" (directed by Joe Mantello, at the Gershwin), which tells the backstory of "The Wizard of Oz": how the lion got cowardly, how the scarecrow got stuffed, how the tin man got forged, and, most specifically, how the witch got wicked.
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Instead, we get cowardly silence.
"I've got name recognition with Cowardly.
We've got YELLOW FIN for "Cowardly ending in Cannes?" and my personal favorite, THE ARTIST, or rather THE ARTIST, for "Expert at brewing Oolong in Orleans?" Bonne chance at finding the rest for yourselves.
It doesn't get any more cowardly and there's no place for that in our sport.
Ever wonder how the Scarecrow, the Tin Man and the Cowardly Lion all got that way? "Wicked" explains that as well with some subtle second-act shenanigans.
In a cowardly way, we had got used to it and everything seemed to suggest that we had forgotten them.
The statement issued by the British Foreign Office probably got it about right: "This was a cowardly and barbaric act aimed at destabilising Tunisia's democratic transition," it said.
What had Murdoch MacLennan got to do with soft-pedalled coverage and cowardly retreats?
"The United States will hunt down and punish those responsible for these cowardly acts," Bush declared when he got to the Barksdale base.
"He got caught with his trousers down, was too cowardly to admit it and then tried to bully others into doing something criminal to protect his career.
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Since I tried Ludwig back in 2017, I have been constantly using it in both editing and translation. Ever since, I suggest it to my translators at ProSciEditing.

Justyna Jupowicz-Kozak
CEO of Professional Science Editing for Scientists @ prosciediting.com