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For that, we had to go to director James Wan, the co-creator of "Saw".
Much of the credit for the film's spirit must go to director Nicholas Meyer, whose sophisticated affinity for fantasy was well demonstrated in "Time After Time".
The tech credits, acting, and writing are superb, but the lion's share of accolades must go to director F. Gary Gray.
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Much credit must go to directors Harry and Joe Gantz who got seemingly unrestricted access into the thoughts and bedrooms of three liberated couples.
I then plucked up courage and went to Director's office to ask him again for smoking room.
Gosford Park Actor and producer Bob Balaban went to director Robert Altman and suggested doing an Agatha Christie-style whodunit, reviving the manor house mystery style of the late author.
And the death mask goes to director Bart Layton and producer Dimitri Doganis for their ingenious, engrossing documentary The Imposter.
The inside track goes to director Kathryn Bigelow and screenwriter Mark Boal, the pair who won Oscars for "The Hurt Locker," a movie about a bomb-defusing team of soldiers in Iraq that was so tense you thought your head would explode.
The second British win of the night went to director Malcolm Clarke, who won an Oscar for his documentary short The Lady in Number Six: Music Saved My Life.
Credit goes to director Assante for showing great reserve and style while letting the story unfold.
Credit goes to director Luca Guadagnino, the Italian maven responsible for the sensual dreamscapes "I Am Love" and "A Bigger Splash," both starring Tilda Swinton.
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Since I tried Ludwig back in 2017, I have been constantly using it in both editing and translation. Ever since, I suggest it to my translators at ProSciEditing.

Justyna Jupowicz-Kozak
CEO of Professional Science Editing for Scientists @ prosciediting.com