Sentence examples for go depicting from inspiring English sources

Exact(1)

Newark, Ohio's The Advocate posted an editorial cartoon titled "Let Our People Go!", depicting mobs of Vietnamese refugees attempting to break through a blood-laced fence of barbed wire.

Similar(59)

The spots, which carry the theme "It's good to let go," depict bowling as a family-friendly break from today's stressful schedules.

Signs that read "Invest in people," "Jobs for Justice," and "Where did the money go?" depicted their frustrations.

One of his works from "What the Hell Are You Doing?" titled "In I Go" depicts the artist (labeled as "me") entering into a skull (labeled "my destiny").

"And So It Goes" depicts him as living in his "own private rain," stuck in a "hexed" second marriage, nursing grudges and running out of writerly inspiration.

And this is the ground in which Mr. Michaelis has gone to work, depicting Mr. Schulz as a much more self-aware and autobiographical artist than has been understood previously, a conduit for his times and the timeless subjects of art: longing, love, heartbreak, disappointment, distrust.

Goya is also marvellously acute in the ways he can go from depicting self-absorption to acute self-consciousness, from psychological discomfort to pompous self-regard.

According to Lemercier, "I wanted to have my own go at depicting landscapes, and surfaces of desert planets, where no reference of scale, position or time can be found".

As in the previous study, we instructed participants to replicate a seen grip by performing a reach-to-grasp motor act, with either their right or their left hand, on presentation of a task-irrelevant go signal depicting a 3D scene with a mug placed on a table, with its handle oriented towards the right or the left (i.e., congruent or not with the movements to be executed).

Cheong's work focused on scenes of the "everyday," but went beyond depicting ordinary people engaged in common activities, like mending fishing nets or watching puppet shows, though there are plenty of those in the exhibition.

Zille, she was basically saying, gave the city an enduring image of itself, a psychic imprint that went beyond depicting what the buildings and streets looked like.

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