Sentence examples similar to gleeful setting from inspiring English sources

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At the end, after Knights of Cydonia – Muse's portentous, gleeful set closer – singer Matt Bellamy's grand piano is swallowed up by the ground, along with him.

In one of the movie's most gleeful scenes, set in a London night club on the eve of the tournament, McEnroe is out for a night of partying with a group of tennis players that includes another New Yorker, Vitas Gerulaitis (Robert Emms), who, in a rapid-fire monologue illustrated with dramatic inserts, explains to McEnroe the complicated character of the opponent he's planning to meet in the finals.

Ben Stiller's gleeful 2001 satire set in the vapid world of male modelling (tagline: "3% body fat, 1% brain activity") saw pouting himbo Derek Zoolander and hippy chic rival Hansel (Owen Wilson) teaming up to defeat evil fashion fuhrer Mugatu (Will Ferrell).

Starring: Dakota Fanning, Theo James, Richard Gere The film could easily have seemed patronising - instead, it combines gleeful comic set-pieces with action sequences worthy of Jason Bourne (12A) Craig Gillespie, 118 mins.

The legal team for Michael Cohen, President Trump's personal lawyer, said on Monday that the Fox News host Sean Hannity was a former client of his — setting off a denial from Hannity and a gleeful reaction from Stephen Colbert.

It was the ultimate event: the stage set by gleeful press rubber-necking amid accusations of hubris; the cloud of schadenfreude clearing up to reveal the blazing hype that let Titanic go, in Shone's words, "demographic-diving... Down through the teenage boys, down into the substratum of teenage girls, and from there, it burrowed further down to their mothers".

But the premise at least sets up a farce that surpasses "The Hangover" in gleeful crudeness and profanity.

And while the premise isn't explored with any depth, it "at least sets up a farce that surpasses 'The Hangover' in gleeful crudeness and profanity," Stephen Holden wrote in The New York Times, adding that "the similarities between the two movies aren't coincidental," for Jon Lucas and Scott Moore wrote both.

And while the premise isn't explored with any depth, it "at least sets up a farce that surpasses 'The Hangover' in gleeful crudeness and profanity," Stephen Holden wrote in The Times, adding that "the similarities between the two movies aren't coincidental," since Jon Lucas and Scott Moore wrote both.

And while the premise isn't explored with any depth, it "at least sets up a farce that surpasses 'The Hangover' in gleeful crudeness and profanity," Stephen Holden wrote in The Times, adding that "the similarities between the two movies aren't coincidental," for Jon Lucas and Scott Moore wrote both.

They launched into a gleeful chorus of "thank you Di Canio" and the tone of a fraught afternoon was set.

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