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Present-day higher-magnification lenses are often made with two glass elements that produce a colour-corrected image.
They may put the bedrooms downstairs and the living area up, and they may build in towers, turrets or expansive glass elements.
The glass elements in William Carlson's "Quadrant Construct" are magically integrated with granite and steel, confounding the notion that such materials are incompatible.
Designed by Niall Cain, a local architect and one of Orissa's owners, it uses traditional colors — red and yellow — but also has cool lighting fixtures; a wavy, textured accent wall; and back-lighted glass elements.
It could contain serious, professional "glass" — a Zeiss f/1.8 lens, with the quality, multiple glass elements and light-passing capacity that cellphones wouldn't have in their wildest dreams.
Indeed, the stained-glass windows of many cathedrals and castles of this period were made possible by the use of lead cames that held the glass elements together in a magnificent unity of colours and shapes.
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There is a through-the-looking glass element to some of the criticism.
The front glass element bulges out, so you can't attach filters, and the lens cap requires an additional adapter for the same reason.
That is clear from the trippy, multi-story, maze-like design which is meant to bring to mind Lewis Carroll's Alice in Wonderland – hence the "looking glass" element of the exhibition title.
The glass element lens delivers clear video quality.
SC-1 is composed of the flat glass element placed in a plastic capsule.
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