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He has proved himself across multiple genres One of Kubrick's undoubted strengths was his amazing adaptability: he took on horror, period adaptation, sci-fi and film noir, and created undisputed masterpieces in each arena.
Because he occupied genres one at a time, each radically different from the last, you could control for what was consistently Kubrickian about everything he did.
The western is one of the few genres one cannot credit to the author Edgar Allan Poe, father of science fiction, "horror", and the detective story, notably The Murders in the Rue Morgue.
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But this facade hides a fizzingly contemporary take on the genre, one that accommodates a bullet hell combat minigame alongside the idea of talking to the monsters instead.
But there is another take on the retro genre, one in which completely new ideas combine with retro models to take games in unique and intriguing directions.
It was a shrewd twist on the TV genre one might call "friendcore": warm ensemble comedies like "Friends," "The Big Bang Theory," "How I Met Your Mother," and "New Girl," which center on lovable gangs of buddies and their adventures and romances.
The entire horror genre, one could argue, is a great enterprise in shedding our collective nightmares.
So you ended up with a somewhat dogmatic genre, one that was quite self-contained.
It's a great genre, one that allows you to document the human condition through serendipity.
The Alteration incorporates some elements of the steampunk genre, one of the most entertaining of the AH sub-genres.
It is a curious genre, one that makes sense under an ivy-strewn archway only to become inexplicable upon graduation.
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Justyna Jupowicz-Kozak
CEO of Professional Science Editing for Scientists @ prosciediting.com