Sentence examples for genres of performance from inspiring English sources
The Fringe's "big four" venues re-defined themselves alongside the charitable foundation of The Edinburgh Fringe festival, rebranding as the Edinburgh Comedy festival (confusingly showcasing all genres of performance).
A variety show in the truest sense, bringing together all genres of performance, from magic and music, to standup and spoof dating shows.
Their digital tech foundation propels the group through various genres of performance from the audiovisual to interactive installation and even educational forums and courses.
Other works and genres of performance art that have been used to tell her story include the mohiniyattam dance of Kerala; Ahalyamoksham, a play by Kunchan Nambiar staged in the ottamthullal tradition; and Sati Ahalya, a padya-natakam drama from Andhra Pradesh.
This particular exhibition is "When the Curtain Never Comes Down," an exceptional display of lifelong art performers, not to be confused with the genre of performance artists.
Improv is a genre of performance art grounded in principles of spontaneity, adaptability, collaboration, and skilled listening.
It also has an incredible sound and light system, with an LED wall that gives any genre of performance some extra oomph.
"What guides him is a perfect combination of intelligence and understanding". Even Berlin's Commencement speech, he acknowledges with a smile, falls into the genre of performance.
Isenstein's magic act may not be as dramatic as David Blaine's or Criss Angel's, but it brings a wonderfully self-effacing sleight of hand to the genre of performance known as endurance art.
The production chosen to illustrate this genre of performance is a rewritten version of Lear entitled Iruthiattam (The Final Game) directed by R. Raju from a Tamil translation and adaptation made by well-known novelist and playwright, Indira Parthasarathy and presented by the theatre group, Arangam.
Mac's historical view is distinctive within the genre of performance art, which can be bound up in the present tense and the live energetic exchange between performer and audience, said Phelan, who is also the Ann O'Day Maples Professor in the Arts.
