Sentence examples for genre status from inspiring English sources

WEAPONS (Tuesday) During that strange early-millennium moment when "electroclash" was campaigning for genre status, this aggressive group emphasized the "clash" aspect.

Novels about the past hundred years or so are all right, but once you go beyond the First World War, once you leave indoor plumbing and move into crinolines and wigs, your genre status deteriorates very quickly.

But then the 30-year-old zoomed through the crisp soul-rock of "Ain't Messin 'Round," from his expansive 2012 album "Blak and Blu," and revved up Albert Collins' "If Trouble Was Money," only to undercut its classic-of-the-genre status with an insistent two-note solo that had more punk than blues in it.

One of the biggest differences between today's reality television and its 1973 antecedent is the genre's status.

The singer added: "I feel really good about the fact that as British artists we've all got together regardless of genre or status and I think that's moving".

I've always worked toward breaking down the walls between genres and status and pop versus underground.

Nightmare collapsed the distinction between dreams and reality, and perhaps even hinted at an awareness of the horror genre's own status as the culturally licensed bad dream.

This article provides a reflection on the impact of the formal dilution of the moves construct, which in certain settings may question genre integrity and status and affect the cohesion of disciplinary communities.

Among Sherlock Holmes's many profound influences on the genre is his status as a dire warning to authors of the risks of killing off a sleuth beloved by the public.

But the genre's novelty status in the 21st century has meant that – a far cry from MGM's constellation of "more stars than in heaven" during its hoofing heyday – there are no big names consistently associated with it.

Ramiro Burr of the San Antonio Express-News saw the release of Flashback, along with Daddy Yankee's Barrio Fino En Directo (2005) and Don Omar's The Last Don Live (2004) as releases that combine current hits, remixes, live renditions and previously unreleased material, because the artists haven't had time to produce an all-new album due to the genre's demanding status, at the time.