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The Italian artist Arnaldo Putzu, who has died aged 85, was one of the most distinctive illustrators of his generation, painting film posters – from Italian realist cinema to the Carry On series – and book and magazine covers.
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The younger generation paint a picture of an aspirational lifestyle where cities provide safe environments for walking and cycling, where local space and roofs are used as community food growing areas, where there is a real desire to embrace science and engineering and where renewable energy is the norm.
Stereotypes of the current generation paint them as lazy but also beset by forces beyond their control, a bunch of emotionally stunted twentysomethings scrolling blankly through their phones because that's all they can do.
Stereotypes of the current generation paint them as lazy but also beset by forces beyond their control, a bunch of emotionally stunted 20-somethings scrolling blankly through their phones because that's all they can do.
If older generations paint morality in black and white, young people's palettes are disappointingly grey.
From mayoral portraits of the Chessani patriarchy that has been ruling Vinci for generations, painted by staff artist Andrea Dopaso, to Photoshopped images of Chessani shaking hands with George W. Bush, there's a lot to love in the palatial mansion.
While not a full frontal assault on the millennial generation, it painted a picture of an entire generation stuck at home, having moved back in with their parents, unable and unmotivated to strike out on their own, caught up in relationship, commitment, identity, "meaning of life," and economic issues, and lost in the new identity crisis of so-called "emerging adulthood".
Mark Bauerlein of Emory University echoes the theme in his new data-filled book, The Dumbest Generation, which paints a picture of self-absorption young people faself-absorption youngves, and each other, but "the least curious and intellectual generation in national history".
"Each generation must paint its own black square," the first director of the Museum of Modern Art, Alfred H. Barr Jr., once said.
And though there was clearly admiration here, the younger generation, which paints on rooftops, trucks and walls inside subway tunnels, was skeptical about the nature of the event, arguing that even the pioneers had lost the true spirit of the genre.
Heading for a fail … British graduates' international perspective This week a report from the British Council and Think Global, Next Generation UK, painted a fairly bleak picture of the value that British graduates place on an international outlook and the benefit this could have on their work prospects.
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