Sentence examples for generation of documentary from inspiring English sources

Through the 1960's and 70's, the National Film Board of Canada was based in Montreal, and its presence generated an entire generation of documentary filmmakers, among them Claude Jutra, who directed "Mon Oncle Antoine" (1971), still considered one of the finest Canadian films ever produced.

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His instruction at more than a half-dozen colleges, and his example, influenced a generation of documentary makers.

"In telling this story I wanted to send a love letter to the next generation of documentary filmmakers, that what you do can make a difference.

But he hopes a new generation of documentary makers will realise the importance of the era and take on the task he has shouldered.

And yet the more fluid definition of the creative process as outlined by the Guild, whose East Coast arm was a co-sponsor of Silverdocs, a documentary festival in Maryland in June, speaks to a younger generation of documentary filmmakers, most of whom have disavowed the fly-on-the-wall manifestoes of direct-cinema pioneers like Richard Leacock.

But her revolutionary film techniques deeply influenced later generations of documentary makers and television commercial makers, keeping alive the debate over whether her talent could be separated from her prewar political views.

In the mid-1950s, Evans's protégé, the Swiss Robert Frank, brought to the table an utterly unexpected quality: gruff indifference, both to the claims of human dignity by which earlier generations of documentary photographers - Strand among them - had set such store and to any received idea of how a photograph was supposed to look.

Jones was one of the last of a generation of British documentary film-makers who came to prominence in the 1950s and 60s.

Recently, he chided five of Iran's new generation of independent documentary filmmakers, who were reluctant to take government money to make films about famous figures of the Islamic Revolution and the Iran-Iraq War.

It was also good to come upon a characteristically gritty street tableau by the elusive Graham Smith, arguably the most gifted and certainly the least known of a generation of British documentary photographers working in the 1970s and 80s.