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This idea has been generalized by considering arbitrary preference relations between models of sets of premises.
The "I" of the texts is then enlarged and generalized by the musical setting, which is for chorus throughout, with no soloists.
The theory was later generalized by Zermelo.
The dilemma was generalized by William Rowe (1975).
These notions were generalized by Karapınar and Samet [2].
The results were generalized by Yang et al. [3].
Lipschitzian mappings have been generalized by various authors.
This study was generalized by Schwartz in [47].
The theorem is generalized by Fink [2] as follows.
Furthermore, the result of Hyers was generalized by Rassias [3].
Later, this work was generalized by Carlson [10].
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