Sentence examples for general repertory from inspiring English sources

The piece will never join the general repertory, but it will never go away.

Most neglected music is put aside for good reason; "Pelleas und Melisande" belongs in the general repertory.

The great French Arabist Gaston Wiet recorded the inscriptions in his 1934 general repertory of Arabic inscriptions, amending them as best he could without having seen the actual object.

Since the end of his college days, at Cambridge University, he began writing works that were not merely highly praised but that began at once to enter the general repertory.

His programming for next season knocks sidewise that of any opera house in America: a return of this "Tristan," under Valery Gergiev; a revival of Hindemith's Weimar Republic shocker "Cardillac"; a general repertory running from the Baroque to the avant-garde; and, most important, the world première of Kaija Saariaho's opera "Adriana Mater".

Over the next 20 years Kronos became the world's best known, most innovative contemporary-music quartet, moving rapidly from a new-music-inflected but otherwise general repertory to a purely contemporary one, then to its current format of works composed exclusively for it.

Of her published works, two early short orchestral pieces, Morris Dance and Bergamask won considerable critical praise, although neither became part of the general orchestral repertory.

His new duties as music director will include conducting one or two productions per season and consulting with Francesca Zambello, the company's artistic and general director, on repertory and casting decisions.

Each expressed reservations about a formal approach to the piece — and to the Baroque repertory in general.

While Mortier has discussed upcoming repertory in general terms — there will be a decisive shift towards twentieth-century works — this week, he hired his first director: Michael Haneke, who will helm a new production of Mozart's "Così Fan Tutte," in 2012.

Instead Mandell, former consulting director at Los Angeles Theatre Center and general manager of the Repertory Theatre of Lincoln Center, got on the phone, calling actors, writers and anyone he could think of, telling them to see this play.