Sentence examples for gendered element from inspiring English sources

The gendered element of it isn't lost on party leaders.

There's also a larger gendered element to tattoo culture that Dr. Beverly Thompson, a professor of sociology at Siena College, researched within her book 2015 book, Covered in Ink: Tattoos and the Politics of the Body.

Which begs the question, do brands need to pander to unconscious bias or use stereotypically gendered elements to positively move the needle in environmental impact?

The psychoanalytic adaptations of Julia Kristeva, who analyzes the artistic experience of "abjection" as a threat to self arising from both the allure and the horror of self-disintegration and reabsorption into the body of the mother, is especially suggestive for understanding the aesthetic arousal of disgust and the strong sexual and gendered elements of horror (Kristeva 1982; Creed 1993).

GBV is a deliberately broad term in order to recognize the gendered elements in nearly all forms of violence against women and girls, whether it is perpetrated through sexual violence or through other means.

Many years ago, he went on, he had designated the type of manoeuvring now apotheosised by Trump as the "bitch slap theory of politics" – adding that he was uncomfortable with the term today, but that its very crude and gendered violence nonetheless distilled vital elements of these power plays.

Other research, [ 16, 17] has identified connections between gender and emotion work and suggests that it is important to understand the impact of gender in paramedic practice, including gendered attitudes towards the expression of emotion and the various elements of the paramedicine role.

Gendered career paths and gendered work.

Gendered, non-gendered, functional, etc.

Motoe Sasaki shows in Redemption and Revolution how these aspirations ran parallel to and were in conflict with those of the Chinese xin nüxing (New Women) they encountered.The subjectivity of the New Woman was an element of global modernity expressing gendered visions of progress.

In "Temporality and the Past," McKee then turns her attention to non-visual elements that propel narratives and express gendered nostalgic desire through an analysis of ghost stories specifically The Ghost and Mrs. Muir Joseph L. Mankiewiczz, 1947), Enchantment (Irving Reis, 1948), Portrait of Jennie (William Dieterle, 1948) and Letter from an Unknown Woman (Max Ophüls, 1948).