Sentence examples for gap between contemporary from inspiring English sources

Exact(5)

The carrier-based delivery system bridges the gap between contemporary solution-based biomineralization concepts and clinical practice, and is useful for in-situ remineralization of bone and teeth.

Some years have passed since Wordless Music, the groundbreaking concert series founded by Ronen Givony in 2006 to bridge a shrinking gap between contemporary classical music and ambitious rock, has been particularly dogmatic about its titular inclination.

Mr. Kanzaburo and his director, Kushida Kazuyoshi, have obviously taken steps to bridge the cultural gap between contemporary American sensibilities and the aesthetics of an art form steeped in firm adherence to performing tradition.

And Tony Kushner's brilliant screenplay closes the gap between contemporary and 19th-century politics, all the while evoking how primitive 19th-century American life was, even in the White House.

"The main objective was to close the gap between contemporary art and traditional tile painting," said gallery co-owner Tiago Monte Pegado.

Similar(55)

"What yMusic is doing is bridging a gap between two contemporary practices, a contemporary vernacular and a contemporary classical," Mr. Greenstein said.

However, it is above all a reflection of a growing gap between the contemporary nature of displacement and the institutions that govern forced migration.

The ensemble apparently evolved from Mpula's longstanding radio show, which aimed to bridge the gap between the contemporary Angolan electronic kuduro genre and the rich musical heritage of the nation's past.

It is a measure of the contemporary gap between the two clubs that the victory was so vigorously celebrated, being Aberdeen's first major trophy in 19 years, whereas Celtic fans assume that cups will be gathered by the armful every season.

With comedian and newly minted Academy Award winner Mo'Nique at the helm, "The Mo'Nique Show" aimed to merge the gap between "old school" and contemporary entertainment culture.

It features two successive phases respectively invoking its design and deployment capabilities, and it represents designers' inductively generated response to what they perceive as a gap between capabilities needed to support contemporary enterprises and those offered by contemporary PMSs.

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