The play would only gain in force.
When the efficiency is high, these ratios are approximately equal; if the output force is 10 times the input force, the input motion must be 10 times the output motion; i.e., what is gained in force is lost in motion.
This is a theological, and not a scientific argument in part because it would retain its force – in fact it would gain in force – even if the scientific account were entirely falsified, and we knew that God had in seven days produced a world full of parasites in which sweet fluffy kittens torture adorable mice.
Because it is difficult to manage the numerous interdependencies between sustainability criteria as well as their relationships to "traditional" design criteria such as cost, decision-makers are forced to gain in-depth knowledge about the impact of their actions by applying a decision-making process that relies on multiple criteria.
"Surely what's lost in midfield creativity is gained in brute force and weight in the tight?" In short, no and no again Gary.
Not that the two forms produce identical results, which is why the comparison was intriguing: what as operas the plays lost in psychological sublety and argumentative content, they gained in emotional force.That was especially true in a powerful revival of the Royal Opera's 1996 production of "Don Carlos", conducted by Bernard Haitink, in superb form despite recent heart surgery.
Caine's performance, so fervent, so agonisingly dedicated, actually gains in force and touching sincerity with the years.
In the first case a gain in force is accompanied by a loss in motion, while in the second case a loss in motion is accompanied by a gain in torque.
Reviewing the film on its re-release, Peter Bradshaw described Caine's performance as "so fervent, so agonisingly dedicated, [that it] actually gains in force and touching sincerity with the years".
