Sentence examples for future pleasure from inspiring English sources

Psychic: procrastinators value current pleasure over future pleasure, but they're never happy about it.

This unnatural abstinence threatens to sap the grape's genetic health and the future pleasure of millions of oenophiles.

One of the field's concerns is the way we tend to misjudge future pleasure -- for example, by imagining that a new Ferrari will make us feel much happier than it actually does.

And, similarly, does the basic connection with motivation involve pursuing one's own future pleasure or does one's present pleasure in thoughts and prospects constitute one as desiring, for their own sake, other things as well (as in Schlick 1930/1939, Ch.

Another Tribune critic, Beth Botts, noted that the historical symbolism of the plantings is a future pleasure to be anticipated.

Instead, the findings indicate that dopamine modulates processes related to predictions of likely future pleasure in a manner reminiscent of its role in reward learning.

Sometimes this is because we underestimate how pleasurable future pleasures will be (relative to present pleasures) or overestimate how painful present pains are (relative to future pains); and sometimes this is because we just make simple mistakes of fact, thinking, for example, that bloodletting will ease the pain of gout.

But as he ruminated on the question, his mind wandered forward to the future pleasures of civilian life.

A critic's enthusiasm for a film involves an anticipation of future pleasures — the feeling that a filmmaker's artistry promises to keep on giving, the hope that the filmmaker will make more films.

And I could look forward to future pleasures, like potatoes fried or roasted with duck fat, which are insanely good, and a good drizzle of the duck fat for the cassoulet I make at least once each winter.

New Glaswegian five-piece White's Future Pleasures was such a startling opening salvo your immediate concern, after being bowled over by its juddering Moroder-esque rhythm (played by a real human, by the way, not a sequencer – take a bow, drummer Kirstin Lynn), serrated funk guitar and Leo Condie's uncanny falsetto, was: how on earth are they going to follow that?