Sentence examples for further evoked from inspiring English sources

The period is further evoked through the 1980's icons Drew Barrymore (whose company produced the film) and Patrick Swayze.

Intramuscular injection of serotonin and glutamate further evoked pain [21, 22].

The game further evoked a sense of esprit de corps with its monastic-style briefings, according to Amiga User International.

After a genotoxic stress, the Fas/CD95/Tnfrsf6 death receptor gene had been identified as a p53 target in somatic cells [4] and the involvement of the extrinsic death receptor pathway has been further evoked in germ cells.

For example, IP3-mediated calcium signaling pathways can activate the translocation of nuclear factor of activated T-cells (NFAT) that further evoked the release of cytokines and the initiation of immune responses [10].

Further evoking the Golden Age musical comedy is a tap-dancing corps of uniformed chambermaids and busboys who come clattering onstage to do their stuff, with big fixed grins and synchronized leaps, at appropriate moments.

The residences -- which are to include detached one- and two-story houses, and apartments in two-story attached buildings -- are to have clapboard siding and stone facades, he said, with dormers and louver windows and peaked roof lines, to further evoke the feeling of a traditional community on the bay.

A tableau at the top of Act IV further evokes the post-World War II era when a horde of refugees trudge through the snow while singing "Patria oppressa," a moving chorus that faintly echoes the great chorus from Nabucco.

A custom scent created by fragrance house Firmenich added to the film noir-inspired lighting to further evoke the freshness of British rain (sounds of birds and crickets also added to the mood).

Lessig further evokes the highest ideals of the founders in his appeal that despite some core ideological differences with those on the Right, there is widespread support for getting the corruptive influence of corporate money out of the decision-making process of our government.

Late in the project's development, Brenner decided to include his own work; Brenner often speaks of the Portuguese poet Fernando Pessoa as inspiration for his monograph, An Archaeology of Fear and Desire; his "fear and desire" further evokes a telling phrase from the American poet T. S. Eliot's "The Wasteland:" "mixing memory with desire".