"furious conflict" is a correct and usable phrase in written English.
It refers to a highly intense and heated disagreement or battle. You can use it in any situation where there is a strong and angry clash between two or more opposing forces. Example: The two political parties engaged in a furious conflict over the proposed tax reform, with tempers flaring and insults being hurled back and forth.
It began with sharp firing on the outposts from several quarters at once, and grew to a furious conflict as the night advanced.
There is undoubtedly furious conflict within the inner circle, made up of the nomenklatura from the Communist Party and the Revolutionary Armed Forces, about how the delicately choreographed transition is to be managed.
This serial decapitation of the coal-rich hills has long been a matter of furious conflict between the mining industry and the residents and environmentalists defending the life and beauty of the Appalachian hollows.
To the students and professors who spend their days there, the fortresslike campus of Hebrew University on Mount Scopus seemed to offer protection from the furious conflict battering this city.
The afternoon's entertainment was a bad T-shirt competition and Hatton, his face still bruised and battered after the furious conflict, was determined he would try to win for a second time in 24 hours.
Sellars's post-1992 experinentransplantingantheg the furious conflicts of the riots into classical works took equally daring steps: a Pelléas And Mélisande which set Debussy's work in a beach-front condo, with the disaffected hero lurking in a cavernous no-man's land beneath, and Stravinsky's The Rake's Progress set in an LA maximum security prison.
It's a furious movie centered on conflict — on the Vietnam War, on students' political activism, their sexual freedom and their romantic confusion, their struggle to find a place in the world — and his own effort to work with them in movies and, as a result, to contemplate his own place in their lives, in the university, and in the cinema at large.
"What you get in abundance, as before, are its true stars: monsters in digital (and in some theaters 3-D) detail, notably a chimera; three huge Cyclopes; Makhai (minions with two heads and torsos); and Kronos himself, a lumbering Gargantua of living lava, all engaged in furious, fairly bloodless PG-13 conflict," Andy Webster wrote in The Times.
What you get in abundance, as before, are its true stars: monsters in digital (and in some theaters 3-D) detail, notably a chimera; three huge Cyclopes; Makhai (minions with two heads and torsos); and Kronos himself, a lumbering Gargantua of living lava, all engaged in furious, fairly bloodless PG-13 conflict.
There's still plenty of patriotism and bluster, but many Ukrainians are frightened, furious, and desperate for the yearlong conflict with the Russia-backed separatists to end.
