Sarah E. Burton, an American spectator, described the fight as a "fist-furious brawl" that erupted after at least five on-court scuffles.
Consisting almost entirely of luminescent day-for-night photography, it's the story of an escaped con (played by Dennis O'Keefe) and the two women who love him (Ms. Hunt was one; Claire Trevor was the other), and features, among other pitch-black set pieces, a villain (Raymond Burr) who disfigures his girlfriend with a flaming dessert, and a furious midnight brawl in a seaside taxidermy shop.
The squat, rugged La Motta was going to brawl with furious energy and the lithe, elegant, Robinson would swerve and shimmy and toy with his opponent, torturing him until his spirit was broken and his body open to a decisive estocada.
R.L. Shaffer of IGN described "I Am Furious (Yellow)", along with "Brawl in the Family" and "Half-Decent Proposal", as being "cleverly written" and the best episodes of the season.
At one point, I found myself in the midst of what seemed certain to become a brawl between a faction of furious protesters and a squadron of cops they had surrounded.
After his fourth win, a bloody decision over a journeyman, Foreman decided that Kozlowski's style, which worked well at the tactical, elegant amateur level, wouldn't work in brawling professional fights, where the bouts were longer and the combination punching far more furious.
A young African guy Amadou (Ona Lu Yenke) starts a furious row with Jean about the contemptuous way he treats a Romanian beggar, Maria Luminita Gheorghiuu), and a brawl kicks off.
A place where fighting is only chastised when someone – normally two lads, furious fistfuls of each other's T-shirt, flurrying around the room like a cartoon western brawl – accidentally breaks a table.
