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Lacan's account of the mirror stage establishes the ego as fundamentally imaginary, formed through the infant's specular captivation with the unitary form presented in images of itself which it assumes as its own through identification.
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Even though immersion suggests the range of strategies for spatial scenography and sculpting experience in order to facilitate entry into an imaginary or fabricated world, we mustn't forget that fundamentally, immersion recalls the very ancient practices of dramaturgy and the well-crafted story.
Imaginary kingdoms.
Imaginary characters in an imaginary world.
TERF fears are imaginary.
Consider two imaginary individuals.
They fingered imaginary instruments.
An imaginary scenario?
This is not imaginary.
Not fundamentally.
They are largely imaginary.
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CEO of Professional Science Editing for Scientists @ prosciediting.com