Sentence examples for from the concepts from inspiring English sources

Many paradoxes arise from the concepts of infinity and limiting processes.

In any production, traditional or modern, the real effect comes not from the concepts but from the sensitivity of individual character direction, and Mr. Robinson and the stage director, Sam Helfrich, were evidently paying attention.

Such devices, no bigger than a postage stamp, borrow from the concepts of DNA micro-arrays (or "gene chips")—the gene-sequencing factories that did for genetics what microprocessors did for personal computing.

Since the early 19th century symphonists have tried to wrap music around transcendent ideas, from the concepts of heroism or universal brotherhood (in the Beethoven Third and Ninth Symphonies, respectively) to the mystical aspects of fate, death and resurrection, or heaven and the afterlife (in much of Mahler).

The second-biggest compliment you can give NCAA Football is that, for a generation, it isolated you from the concepts of sunrise, sunset, responsibility, loved ones, hygiene or real life, a black hole of bliss, one of the singular greatest and most pleasurable time-sucks of the new millennia.

Wendy Mogel says that the concepts of yetser hara and yetser tov are distinguished from the concepts of id, ego and superego because "psychology textbooks don't typically say that your child's worst trait is also the seed of his best traits" (Emily Bazelon, Oct. 1).

The social psychology of that discussion greatly repays consideration, but I wanted to shift the aesthetic discussion away from the concepts of grandeur and artifice and toward the idea of style, which, I think, is as central to a film such as "Somewhere" as it is to works of grand artifice by Visconti or Minnelli and to even smaller-scale independent films of many sorts.

Not all emerging artists have turned away from the Concept.

There was a remaining obstacle, however, once you went from the concept to the manufacture.

Missing from the concept at first were women's voices, a serious flaw in traditional opera.

This in no way detracts from the concept and strength of Ms. Casdin-Silver's work.