Sentence examples for from the bent from inspiring English sources

Madness smiled from the bent faucets".

The menu lists tiramisù, a chocolate concoction of the day, and other temptations, including zabaglione with fruit, and specialty flavors from the Bent Spoon, an artisanal ice cream shop in Princeton.

The shop may be out of the way, but it is the only local retailer for the excellent sweet and savory knishes from Knishery NYC, a new company; for salami by Charlito's Cocina, of Long Island City, Queens; and for ice cream from the Bent Spoon, of Princeton, N.J., which shares the freezer with Blue Marble, Adirondack and Van Leeuwen.

It isn't just that watching anyone probe his or her veins with a sharp tends to be pretty gross; it's also that the ritual of heroin addiction, from the bent spoon to the elastic band snapping against the agonized flesh, has become a cinematic cliché.

Also, the transverse deck displacement becomes smaller from the bent location to the abutments for all aspect ratios.

Diffraction patterns from the bent polycrystalline Ti6Al4V samples were collected using the new 23-cell "horseshoe" detector and interpreted using Pawley refinement to extract unit cell parameters, thus allowing elastic strain to be determined.

Strengthening your core muscles can help prevent the back pain that might arise from the bent-over position of play.

Massage your belly and move gently back and forth from the bent-over position.

FOR audiences of the 1920s Lon Chaney was the Man of a Thousand Faces, an unlikely star celebrated for his ability to transform his appearance — from, for example, the bent, stocky, simian title character of "The Hunchback of Notre Dame" (1923) to the gaunt, towering figure of "The Phantom of the Opera" (1925), with his bulging eyes and face seemingly stripped of flesh.

For most of the play, Krapp's voice -- the still-young, smooth voice of his 39-year-old self -- is detached from his body, the bent, sad frame that leans over the tape recorder as if in a desperate attempt to touch the vanished past.

The scene belongs to Juliet, who shows us a sequence of exquisite, angular postures that seem to derive not so much from ballet as from early Renaissance painting — the bent neck, the squared legs that Giotto's and Botticelli's saints showed as they received the news of God's plan for them.