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One way to think of this is that each substance has a unique series of perceptions programmed by God to play in harmony with all other substances, and the internal tendency of a substance to move from perception to perception is its active force, or what Leibniz also calls appetite or appetition.
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Models of trust include the causal chain mode of trust, which advocates that the direction of the association between trust and risk perception is from trust to risk perception, i.e. levels of trust shape perceptions of risk [ 52, 53].
I wonder about the distortions arising from each successive phase of the depiction, from the actual person to McMartin's perception of him, from that perception to the writing, and from the writing to the film's realization.
Managing complexity: from visual perception to sustainable transitions.
This explains why Leibniz defines appetitions in the initially surprising way noted above, as "tendencies from one perception to another"—another perception, that is.
BCVA ranged from light perception to 20/20 (mean, 20/25).
As the textured soundscape flows from "polyphonic perception to global perception," the visuals echo their continunities and discontinuities, resulting in an audiovisual experience you don't need synesthesia to love.
VA ranged from light perception to 1.0.
From photons to perception: A physicist looks at the brain.
In sum, these data suggest that the processing cascade from early face perception to later mind perception can be indexed using specific ERP components.
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Justyna Jupowicz-Kozak
CEO of Professional Science Editing for Scientists @ prosciediting.com