Which is not to say that his audience should expect a particularly listener-friendly album.
He then called on radio stations to pick their favourite track from the not-particularly-radio-friendly album and play it 10 times a day, in order to "create a more inspired world".
Whether it was Fraser and Guthrie becoming parents in 1989, the break from touring, general time for a rethink or more, Heaven was the band's most accessible and immediate – one could almost say radio-friendly – album to date.
Smith has claimed that the first verse ("Show me how you do that trick / The one that makes me scream") is rooted in boyhood memories of practising magic, and Just Like Heaven feels like it's the result of some sorcery to flush the senses: the fuzziest corner of the Cure's friendliest album, 1987's Kiss Me, Kiss Me, Kiss Me, it's a tinselly spell of buttery guitars and glistening melodies.
Following these events, Columbia decided to market the singer in a similar fashion to her debut, only have her produce a more commercial and radio-friendly album.
Following these events, Columbia decided to try to market Carey in a similar fashion to her debut, only having her produce a more commercial and radio-friendly album.
For her third studio effort, Columbia Records decided to market Carey in a similar fashion to that of her debut, only having her produce a more commercial and radio-friendly album.
NOW Magazine reviewer Bryan Borzykowski called it "her most modern and club-friendly" album, and commented saying "Jackson wouldn't want us to call it a comeback, but it sure sounds like one".
The slightly nerdy impression of Radiohead's first London gig in four years is that tricksy, headphone-friendly albums such as last year's The King of Limbs can, when placed in an arena, sound quite like proper arena rock.
Starting with 1994's Vitalogy, Pearl Jam started making less consumer-friendly albums, outright refusing to make music videos or do interviews.
Eerie, dance-friendly albums from Kanye West (Yeezus) and Trent Reznor (Nine Inch Nails' Hesitation Marks) looked back to dusty, Chicago house grooves from the past to make "we're all screwed" statements about the present.
