Sentence examples for frequent editing from inspiring English sources

"frequent editing" is a correct and usable phrase in written English.
You can use it to refer to any situation where edits or changes to something are made with high frequency, such as a document that is continuously being edited and revised. For example: "After making frequent editing sessions, the team was finally able to finalize the report."

Exact(2)

Although the expression level of the majority of edited miRNAs was very low, some particularly high frequent editing events happened at certain developmental stages.

The most frequent editing type was A/G (55%), whereas G/A edits comprised only 6.7%.

Similar(58)

The principal investigator and supervisors did frequent data editing manually.

18 23 24 The most frequent RNA editing mechanism in mammals involves the conversion of specific adenosines into inosines by the ADAR family of enzymes.

In humans, the most frequent type of editing is the conversion of A to I, which is catalysed by the dsRNA specific ADAR family of RNA editing enzymes.

In humans, the most frequent type of editing is the conversion of A to I, which is catalysed by the double stranded RNA (dsRNA) specific ADAR (Adenosine DeAminase that act on RNA) family of proteins.

The fact that Leu has the highest frequency of occurrence in both organelle-encoded proteomes shown above and is encoded by six codons all with U at the 2nd positions can now explain why Ser → Leu and Pro → Leu codon changes represent the two most frequent classes of editing events observed in our study.

However, why is it then that T>I changes are one of the least frequent types of edits?

The frequent tone was edited to have the same duration as the frequent speech stimulus in Experiments 1 3 (100 ms); the infrequent tones differed from it in either duration (170 ms) or intensity (−6 dB) as in Experiment 3.

While the bodies of the performers do amazing things, the hectic editing and frequent use of slow motion distract from their physical artistry rather than enhance it.

So you can watch these films and be excited by a great deal: the savage editing; the frequent use of off-screen space; the deadpan reaction shots; the sudden surges of emotion; and, above all, the extraordinary energy that drives the films on and which seems to conceive, shoot, cut and construct in one passionate thrust.

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CEO of Professional Science Editing for Scientists @ prosciediting.com

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