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The French narrative of the crisis is that it is all an Anglo-Saxon creation, and we must be punished for it.
Guillaume de Dole (also known as (Le) Roman(s) de la Rose, or Guillaume de Dole) is an Old French narrative romance by Jean Renart.
In the Life of Caradoc, a Middle French narrative embedded in the anonymous First Continuation of Chrétien de Troyes' Perceval, the Story of the Grail, another similar challenge is issued.
A beheading exchange also appears in the late 12th-century Life of Caradoc, a Middle French narrative embedded in the anonymous First Continuation of Chrétien de Troyes' Perceval, the Story of the Grail.
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They took over the long French narratives based on romance themes, such as the Arthurian cycle, and wrote in octosyllabic rhymed couplets (called noves rimades ["rhymed news"]).
And so the French-Palestinian narrative stuck.
In this new high-romantic French fixation with narrative, Scott and Byron, read widely in translation, emerged as the twin stars.
He jumps off the page, to the palpable gratification of an author who is adept at sparkling quotation (in his own translations from the French) and punchy narrative.
In French's rich narrative, there are two turning points, two moments of truth that might have crippled or destroyed Naipaul, but that instead made him, for better and worse, the writer and the man he became.
In these French stories, the narrative focus often shifts from King Arthur himself to other characters, such as various Knights of the Round Table.
For those of you who read French, Le Point has narratives by Haitian writers who write daily.
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Since I tried Ludwig back in 2017, I have been constantly using it in both editing and translation. Ever since, I suggest it to my translators at ProSciEditing.

Justyna Jupowicz-Kozak
CEO of Professional Science Editing for Scientists @ prosciediting.com