Sentence examples for free variations from inspiring English sources

If a transcription is free enough it becomes both free variations and free composition".

Rembrandt's students learned, as was common practice in 17th-century studios, by copying their master's works and, later, by painting and drawing more or less free variations based on them.

First, the free variations of the design field in topology optimization prohibits any interface to be defined a priori, and therefore the boundary conditions of equation (5) cannot be applied in this step of the optimization procedure.

Free variation maintains the melodic relationship between theme and variations by developing small motives from the theme or transforming the theme itself by rhythmic or other changes.

More important than free variation in the same context, however, is systematically determined variation according to the context in which a given phoneme occurs.

This work, 'Le Festin d'Alkan', encapsulates my aesthetic conviction that free composition, free transcription and free variation (the forms of my three movements in order of performance) are all essentially the same thing.

To return to the example used above: [p] and [ph], though they do not contrast, are not in free variation either.

It starts with an aria whose descending bass line becomes the harmonic source for the variations, 30 variations total, in sets of three: a variation for crossing hands (originally to be played on a harpsichord with two keyboards); a free variation, meaning a siciliana, a fugue, a French overture or an accompanied solo; and a canon.

The very late 19th century and first half of the 20th century saw some additions to the variation repertory, but, beyond the technique of free variation, there developed no striking new technique or techniques.

The phonemic specification of a word or utterance was held to determine uniquely its phonetic realization (except for free variation), and, conversely, the phonetic description of a word or utterance was held to determine uniquely its phonemic analysis.

Clifford S. Ackley, the curator of the exhibition, pointed out that Segers's etching is a free variation on a painting by Adam Elsheimer, a German painter who died in 1610, from whose work Rembrandt also took ideas (including a nocturnal painting of the "Flight").