Sentence examples for frantic editing from inspiring English sources
McQuarrie doesn't pump up his action sequences with frantic editing or music, and during the car chases you half-expect to see Steve McQueen or Paul Newman behind the wheel.
A frantic editing style tests the patience and there's scant sense of place - though that could be because, as I discovered in the credits, it was mostly shot in Luxembourg.
Many critics lambasted the film for vulgarity, yet its giddy "bad taste" is exactly the point: Baz Luhrmann invites us to become champagne-drunk on the kinetic imagery and frantic editing and, for me, he succeeds.
Part of the problem lies in his decision to chop up the time line and jump from the present to the past and forward again, a strategy that, like the frantic editing, dilutes the historical momentum he is trying to build.
Later, Col. James Doolittle includes Rafe and Danny on his Tokyo raid in a film that works best, A. O. Scott wrote in The New York Times, as "a loud symphony of bombardment and explosion juiced up with frantic editing and shiny computer-generated imagery".
For all its epic pretensions (as if epic were a matter of running time, tumescent music and earnest voice-over pronouncements), the movie works best as a bang-and-boom action picture, a loud symphony of bombardment and explosion juiced up with frantic editing and shiny computer-generated imagery.
Pierce did not score 61 points like Kobe Bryant or fill up the box score like LeBron James or force any frantic edits to the N.B.A. record books Friday night.
When the film leaves the tube system, it disembarks only in public spaces, places where people work, such as the pub where some frantic montage editing (eight shots in 12 seconds) and teetering camera angles enliven a beery brawl.
If you recall all that hyperbolic talk in the '80s about music videos spurring a full-scale revival of the movie musical — a revival that fizzled after "Footloose" and "Flashdance" — here it is (without frantic MTV-style editing).
On Friday morning, after a 20-hour final negotiating session, lawmakers, Congressional aides, lobbyists and the banking industry were still sorting through the legislative rubble of a frantic night of deal-making, edits and adjustments that left even some of those who worked most closely on the bill confused about exactly how some of the final details turned out.
Moving too quickly through edits can feel frantic, but this may work if the scene is high-pressure or nervous, like in scenes from the sci-fi film Snowpiercer.
