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The chapter examines the role of various kinds of frames – the frames of performance, of mediating technologies, and even physical frames for text objects – in enabling decontextualization and recontextualization, thus offering new perspectives and mitigating loss as people move out of particular frames and into new spaces.
Legend has it that it took Cammell - who shot himself in the head - some time to die, and that he asked his companion at the time if his injuries resembled those inflicted by Fox on Jagger in the final frames of Performance.
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The second experiment done for MOBIO database is investigating the effect of the number of frames on performance.
But he's actually playing with an extreme form of performance art framed by a frat-boy, locker-room, keg-party mentality.
"It's a six-still camera rig that's built on a pipe rig so that you can run it in at the end of a setup and get stills of key frames of a performance or an expression," said Desjardin, "and then we could use those hi-res stills to project onto the CG double and get really accurate transition lighting and color right from the set".
Fig. 8 Impacts of number of time slots in a frame on performances of the studied neighbor discovery algorithms.
Since Jaden spends much of his time on-screen as the only person in the frame, the responsibility of performance does fall squarely on his young shoulders.
Results are presented in terms of performance (frames per second), resource utilization, and run-time hardware adaptation for a variety of hardware design parameters, video resolutions, and self-reconfigurability scenarios.
Most fund research frames things in terms of performance, in terms of alpha.
Indeed, along with increasing the lateral displacement in the frames, the fire resistance decreases such that the fire resistance of the frames pushed to CP level of performance is much lower than that of the frames pushed to LS or IO levels of performance.
The basic lesson of the greatest and most decisive neoclassical, and meta, movement in modern art, the French New Wave, is that a viewer can be simultaneously inside and outside, both aware of a filmmaker's presence of the permeable frame, of the artifices of performance and technique and convention and yet be deeply moved by the drama that the artifices both create and point to.
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