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What if Facebook convened a cabinet of unfriendly social economists, media scholars, data historians, whatever — people who think systemically in other frames — and let them kick tires and raise a fuss?
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He also seems to know when to get out of the camera frame and let the exquisite artwork do the talking.
Let denote the average throughput of connection in the th frame, and let denote the instantaneous data rate of connection in the th frame.
Let be a matrix representing the received instantaneous SNR for user and channel at frame, and let be the number of bits/symbol of a QAM constellation that should ideally fulfill a certain target bit error rate.
Let s i (ω,t) be the ith source signal at an angular frequency ω in the tth frame, and let x j (ω,t) be the microphone signal at the jth microphone.
Let r i be the number of bits allocated to the i th frame and let u i = u i (c i,r i ) denote the utility of the i th player, i.e. the visual quality of the i th frame, i = 0,…,N − 1.
Place your replacement display screen onto the metal frame and let the adhesive dry.
FIRE! Lock the arrows, pull back the frame, and let go for some big fun in a small package!
Let be the total number of pixel rows in each frame of, and let be the total number of pixel columns in each frame of.
Suppose (left (hat {a}_{i}^{t},hat {b}_{i}^{t}right)) denote the location of the ith target detected in frame t and let (d^{t}_{ij}) be defined as the distance between the ith target detected in the frame t and the jth target detected in the frame t+1.
Let f n i denote the original value of pixel i in frame n, and let f ^ n i and f ̃ n i denote its encoder and decoder reconstruction, respectively.
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Since I tried Ludwig back in 2017, I have been constantly using it in both editing and translation. Ever since, I suggest it to my translators at ProSciEditing.

Justyna Jupowicz-Kozak
CEO of Professional Science Editing for Scientists @ prosciediting.com