Sentence examples for framed shots from inspiring English sources
From romance to pasta to beautifully framed shots of New York City at night, each season of Aziz Ansari's Netflix dramedy "Master of None" serves up a feast for the senses.
The first thing that grabs you about Top of the Lake is the scenery – the beautifully framed shots of the area surrounding Moke Lake on New Zealand's South Island.
On the wall just above her computer are photographs of the children and their notes of endearment; to the side, on a bureau, are framed shots of her with her parents and an Expressionist statue of a mother and child, which used to sit on her mother's desk.
From satisfying, textured close-ups of interior upholsteries to beautifully framed shots of the vehicles' defining retro design features, the British photographer's eye for detail is complemented by more context-heavy images of the period cars in suburban and rural landscapes.
The show's creator-producer, David Gelb, achieves this hallowed mood by leaning heavily on a handful of cinematic techniques: symmetrically framed shots, soaring classical music, and so much slow motion that one suspects the hour-long episodes, cranked up to normal speed, might be over and done in fifteen minutes.
The resulting images -- 10 framed shots supplemented with smaller 8x10 snapshots of Bradley's private life -- will be on view at the Christopher Henry Gallery in Soho starting tonight and running through August 14.
With a cleverly framed shot, you could believe yourself to be in any number of beautiful places — including, perhaps, in Queens.
Mr. Ávila, yet another filmmaker clearly in thrall to Terrence Malick, makes the case for Charo and Daniel with each beautifully lighted and framed shot of the family laughing and playing together or Juan off in his own world.
A perfectly framed shot of the dolphin fishermen standing around a campfire in the minutes before sunrise discussing their bloody trade, and the difficulties of whaling and dolphin hunting all over the world thanks to the likes of Greenpeace and the Sea Shepherds is both shocking and mesmerisingly beautiful to watch.
The man slamming one of those trays closed on the head of a chicken frantically bobbing its head could be French or Austrian; nationality here is as irrelevant to the animals as to the consumers who will later buy that chicken after it has been killed, plucked and cleaned, all of which Mr. Geyrhalter shows us through one precisely framed shot after another.
In the VR version, each framed shot and analysis would be laid out as if on a very long study table, and again viewers could move close to inspect the abstract AI figures at full human (or android) scale, or they could back off a bit to compare the abstracted shot with the original, or they could step back further to see the shape of the whole.
