The phrase "frame experience" is correct and usable in written English.
It can be used when discussing how to present or contextualize an experience, often in a creative or analytical context.
Example: "To better understand the impact of the event, we need to frame the experience within the larger social context."
Alternatives: "contextualize the experience" or "shape the experience."
In his book "Actual Minds, Possible Worlds," Jerome Bruner, a central figure in the cognitive revolution in psychology, proposes that we can frame experience in two ways: propositional and narrative.
If there are more than two packets at the beginning of each frame, then all packets but one packet to be transferred in the current frame experience a long delay because of long frame length.
The disconnect between discourse and reality in this example demonstrates how gender ideals and norms influence and organize thought and frame experience.
They argued that humans make sense of the world by using routines that frame experiences to make them intelligible.
After this point, the average diagram of the frames with low knee moment of inertia will be under the frame with higher moment of inertia and this shows that reduction in the moment of inertia causes the frames strength to decrease and that for a slight increase in the earthquake force, the frame experiences a larger drift.
As it can be seen in the average diagrams of Figs. 12 and 13, increasing the knee length in these frames has caused the average response of the frame to increase, i.e., in a lower earthquake intensity, the frame experiences a larger drift and the average diagrams of the frames with larger knee length is below that of the frames with the smaller knee length.
This through-the-picture-frame experience is the Yeshiva University Museum's "On the Scene With Oppenheim," a 90-minute program about Moritz Daniel Oppenheim, a German Jewish portrait painter whose subjects included Goethe and Felix Mendelssohn.
From her earliest days, Woolf had framed experience in terms of oppositions, even while she longed for a holistic state beyond binary divisions.
What the Scary Movies series makes vivid is that the greatest horror films are contrived by artists determined to burst through the barricades of good taste (and formal logic) in their quest for new and unexpected ways of framing experience.
By framing experiences people have with nature and giving examples of business inspired by nature, we can reconnect business and nature.
This means that when one set of frames experiences its maximum load, the orthogonal set of frames simultaneously experiences a significant wind load.
