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When the Guardian went to check out this seeming bargain it found it down a graffiti-ridden alleyway between two rows of houses.
He had found it down the back of a hypothetical, future sofa.
(I didn't placate him with the HobNob; that is probably in chapter one of the mythical book, "Don't placate them with food". He found it down the side of the car seat: a bit of a double-edged treat, or conceivably not a treat at all).
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"You look for something, you're going to find it," Down said.
You find it down unnamed paths, beyond unpredictable roadblocks.
Finding it down here is a little like stumbling across a pagoda on the African veldt.
Find it down a graffiti'd alley off Moray Place – belying the insalubrious surroundings, it's a classy joint serving cocktails and tapas.
You'll find it down a tiny alleyway, or vennel, off Saddler Street – look out for the sign next to East (the clothing shop).
So instead he wrote A Grand Don't Come For Free, a concept album about a sweet Brummie stoner who loses £1,000, suspects his mate nicked it, and then finds it down the back of his telly.
I found it, sat down in a roomful of strangers, and had my hair cut by another stranger.
When I asked what were the biggest challenges of son and mother writing together I found it came down to style.
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Since I tried Ludwig back in 2017, I have been constantly using it in both editing and translation. Ever since, I suggest it to my translators at ProSciEditing.

Justyna Jupowicz-Kozak
CEO of Professional Science Editing for Scientists @ prosciediting.com