Sentence examples for forms that arise from inspiring English sources

Exact(6)

These are the matrices implicitly defined by quadratic forms that arise naturally in modelling intrinsically stationary and isotropic spatial processes.

Over 100 visiting international artists and 250 London artists will perform in 20 sites across the city, giving voice to the creative forms that arise when cultures or faiths collide.

The functional forms that arise from our systematic reduction can be used for every system that involves transcription and translation and they could replace the commonly used heuristic time-delay models for these processes.

All religious experience can be described in terms of three basic elements: first, the personal concerns, attitudes, feelings, and ideas of the individual who has the experience; second, the religious object disclosed in the experience or the reality to which it is said to refer; third, the social forms that arise from the fact that the experience in question can be shared.

Yet while his process of exploring the intriguing reactions between canvas and mixed media is partially planned, the accidents and unpredictable forms that arise during his bouts as a mad scientist are what truly fuel his work.

My organization, Institute For Figuring, has been extending the techniques developed by Dr Taimina she really sticks with the perfectly geometric forms, whereas we've been branching out to explore the more organic forms that arise when you relax from that perfection.

Similar(54)

Each one of us is a direct, living descendent of the first living forms that arose four billion years ago, when our planet was still being shaped by bombardment from the heavens.

Malformations are abnormalities of the human form that arise during embryogenesis (the first eight weeks of development).

What is not in doubt is that it is an Afro-Brazilian art form that arose among the slaves brought to Brazil from Angola, Congo, the Gulf of Guinea and the Gold Coast some time after the 16th century.

A final question concerns the form proper to artistic and literary history, which, in the form that arose in the romantic period, and still prevails to-day, expounds the history of works of art as a function of the concepts and social needs of its various periods, regarding them as aesthetic expressions of these things and connecting them closely with civil history.

Therefore, for the Buddhist idealist, the object that appears in perceptual cognition need not be an external physical object, but a form that arises within consciousness itself.

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