Sentence examples for forms of spectacular from inspiring English sources

Of course, there have been other diving headers – though, relative to other forms of spectacular scoring, not many: Ted MacDougall in 1972, Tommy Hutchinson in the 1981 final and Gary Mabbutt earlier in the 86-87 spring spring to mind.

But beyond solemnly blowing some kisses to the audience, he's not an ingratiating performer, and the remoteness of his body language combined with the passion in his singing registered as a form of spectacular, non-negotiable cool.

The moment represents a landmark in space exploration as the Rosetta mission becomes the first to shadow a comet as it stirs from its dormant state and starts to spew tonnes of gas and dust, sometimes in the form of spectacular, explosive blasts.

In exchange for their purchase, they get to feel a toddler's awe as performers bestow "acts of generosity" upon them in the form of spectacular gestures.

"The action in this movie, most of which takes the form of spectacular stunt work performed by real, as opposed to digitized, people," Schickel continued, "is motivated by simple, powerful emotions of an old-fashioned and rather melodramatic nature".

"I find that a lot of the man-made things, you know, are interesting but the real sort of inherent beauty, the most sort of spectacular form and shape and texture is the actual corals themselves," he continues, "I'm trying to find ways to get them to grow in a certain orientation.

Kind of spectacular.

Because of this virtual assurance of gross profit, casinos regularly offer big bettors extravagant inducements in the form of free spectacular entertainment, transportation, and elegant living quarters.

He got it in the form of a spectacular, airborne crash that brought out a yellow flag and allowed him to cross the line with a scant 1.6 gallons of fuel left.

The Seahawks are betting big that Rice recovers from major hip surgery and regains the form of his spectacular 2009 season, when he caught 83 passes for 1,312 yards.

There had always been a struggle in her work between the creating of spectacular forms for the sheer egocentric sake of doing so and her claim that they served to make public and urban spaces in which new relationships and liberating dynamics would be possible, for example between the audience and performers of an opera house, and passersby in the city outside.