Sentence examples for formal principles for from inspiring English sources

It suggests that changes of brain states from unconscious to conscious reflect the action of projective transformations and suggests specific neurophenomenological hypotheses about the brain, guidelines for designing artificial systems, and formal principles for psychology.

That objection was faced in the 20th century by the British philosopher Sir David Ross, who held that numerous "prima facie duties," rather than a single formal principle for deriving them, are themselves immediately self-evident.

Claims for universal underpinnings of language acquisition are discussed, including Chomskyan-based nativist claims for formal principles of Universal Grammar (UG) on the one hand, and psychologically motivated claims for extralinguistic perceptual and cognitive constraints shared by children acquiring different languages, on the other.

The formal principles of the gazel were the same for both Persian and Ottoman varieties.

In attempting to achieve a rational system of principles, modern philosophy is always, Lukács claims, confronted with the issue of there being a "content" necessary for the application of its formal principles of knowledge, a content which cannot be integrated into a formal philosophical system a prime example of which is Kant's "thing in itself" (see Bernstein 1984 15 222).

Secondary substances are related to primary substances as formal principles of the latter.

It is the formal principle of a human substance.

While formal principles have been adopted for the eventuality of detecting intelligent life in our galaxy (SETI Principles), no such guidelines exist for the discovery of non-intelligent extraterrestrial life within the solar system.

For Sidgwick argues, over the course of the Methods, that common-sense or intuitional morality keeps giving way to more abstract formal principles as the better candidates for genuinely self-evident truths.

Although a discussion of these formal principles is helpful particularly to those who have little native sense of form and who want "to know what to look for" in art, they are sufficiently vague so that many critics can agree on a formal principle, such as unity, and yet disagree on the degree to which a specific work possesses it.

Asked whether the combinations were selected on formal principles alone, Fischer quickly responded in the affirmative.